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p. 2
Parallel Perspectives
By Joan Marter and Margaret Barlow

p. 3-42

Portraits, Issues and Insights

p. 3
Where the Body Ends, The Work of Maren Hassinger and Mary Ann Unger
By Stephanie Sparling Williams

p. 12
The Women: Tops in Art, 1960: Abstract Expressionism in Amarillo, Texas
By Amy Von Lintel and Bonnie Roos

p. 22
“Graphic Statues”: Female Monuments, Media Publicity, and the Struggle for Suffrage
By Nicole J. Williams

p. 33
Embroidered Memories: The Artwork of Miri Abramsohn, a Second-Generation Holocaust Survivor
By Shahar Marnin-Distelfeld

p. 43-68


p. 43
By Letizia Treves, with contributions by Sheila Barker et al
Reviewed by Ann Sutherland Harris

p. 51
Under the Skin: Feminist Art and Art Histories from The Middle East and North Africa Today
Edited by Ceren Özpinar and Mary Kelly
Reviewed by Claudia Yaghoobi

p. 53
Autotheory as Feminist Practice in Art, Writing, and Criticism
By Lauren Fournier
Reviewed by Anne Swartz

p. 56
Marking Modern Movement: Dance and Gender in the Visual Imagery of the Weimar Republic
By Susan Funkenstein
Reviewed by Jordan Troeller

p. 58
Women, Aging and Art: A Crosscultural Anthology
Edited by Frima Fox Hofrichter and Midori Yoshimoto
Reviewed by Catherine McCormack

p. 60
Angela Davis: Seize the Time
Edited by Gerry Beegan and Donna Gustafson, with contributions by Angela Y. Davis et al.
Reviewed by Rebecca VanDiver

p. 62
Zofia Kulik: Methodology, My Love
Edited by Agata Jakubowska
Reviewed by Joanna Turowicz

p. 65
Radical Virtuosity: Ana Mendieta and the Black Atlantic
By Genevieve Hyacinthe
Reviewed by Melanie Anne Herzog

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