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Parallel Perspectives
p. 2
By Joan Marter and Aliza Edelman

Portraits, Issues and Insights
p. 3
A Sculptor’s Legacy: Meta Vaux Warrick Fuller’s Scrapbook
By Rachel Passannante

p. 15
“Comedy, Pathos, Delight, and Horror”: Satire in the Work of Joyce J. Scott
By Phoebe Wolfskill

p. 26
Entangling Race, Gender, and Antebellum Savannah: Sharon Norwood’s Owens-Thomas House Intervention
By Margaret Bridget Betz

p. 31
Committed to Survival: The Womanist Visions of Varnette P. Honeywood and Annie F. Lee
By crystal am nelson

p. 39
Inside and Outside of “Queer”: Deborah Kass’s Feel Good Paintings for Feel Good Times
By Theo. Triandos

Reviews
p. 50
A Time of One’s Own: Histories of Feminism in Contemporary Art
By Catherine Grant
Reviewed by Jennifer S. Griffiths

p. 52
Sonya Clark: We Are Each Other
Edited by Elissa Auther, Laura Mott, and Monica Obniski
Reviewed by cystal am nelson

p. 55
Jaune Quick-to-See Smith: Memory Map
Edited by Laura Phipps
Reviewed by Roni Feinstein

p. 59
Hannah Wilke: Art for Life’s Sake
Edited by Tamara H. Schenkenberg and Donna Wingate
Reviewed by Marissa Vigneault

p. 61
Viva Video!: The Art and Life of Shigeko Kubota
Edited by Mayumi Hamada, Azusa Hashimoto, Mihoko Nishikawa, Midori Yoshimoto, and Yui Yoshizumi
Shigeko Kubota: Liquid Reality
Edited by Erica Papernik-Shimizu
Reviewed by Helena Shaskevich

p. 64
Marisa Mori and the Futurists: A Woman Artist in an Age of Fascism
By Jennifer S. Griffiths
Reviewed by Tara Kraft-Ainsworth

p. 67
Meret Oppenheim: My Album
Meret Oppenheim. Edited by Lisa Wenger and Martina Corgnati
Leonora Carrington: The Image of Dreams
By Giulia Ingarao
Reviewed by Talia Kwartler

p. 70
The Activist Collector: Lida Clanton Broner’s 1938 Journey from Newark to South Africa
By Christa Clarke
Reviewed by Henone Girma

p. 72
Mina Loy: Strangeness Is Inevitable
By Jennifer R. Gross
Reviewed by Martha Skye Murphy

p. 75
Berthe Morisot: Shaping Impressionism
Edited by Marianne Mathieu
Reviewed by Julia Dabbs

Color Plates

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